Vengeance! at Stone Creek: The Executive Order That Never Ended

Some novels entertain. Some educate. A rare few refuse to let the reader off the hook.

Vengeance! at Stone Creek is one of those books.

Set in the long shadow of World War II–era Japanese incarceration, the novel explores what happens after injustice has been legalized and filed away.

Rather than retelling history, it integrates unanswered questions and the uncomfortable truth, deferring accountability indefinitely.

Alan O’Hashi writes with restraint and precision. The tension comes from moral pressure and the question history prefers not to ask: What is owed when the harm was sanctioned by law?

When a soldier fires his rifle from a guard tower inside Camp Arroyo, a Japanese American incarceration camp near Stone Creek, Colorado, the sound echoes far beyond the barbed wire. 

What happens next is buried under military procedure, fear, and silence. Official reports flatten the truth. Witnesses are discouraged from speaking. Inside the Camp, grief is expected to be swallowed quietly.

Tak Fujiyama is a child when the shots are fired, but the moment marks him for life. Incarcerated alongside his family without trial, Tak learns early that innocence offers no protection and that the law does not always serve justice.

As the War grinds forward, Camp Arroyo becomes its own harsh world of dust storms, guard towers, loyalty questionnaires, and the daily humiliation of being labeled an enemy by the country of his birth. The violence at Stone Creek is never properly addressed, and Tak is left to grow up carrying an unanswered wound.

After the War ends, America moves on quickly.

The WRA dismantled the camps, archived files, and released families with bus tickets. Tak learns that forgetting is the price of belonging. He builds a life beyond the Camp, but memory proves stubborn. The injustice refuses to fade, shaping his relationships, his sense of self, and his understanding of right and wrong.

Years later, unanswered questions draw Tak back to Stone Creek. His past resurfaces through testimony, suppressed records, and the memories of those who survived the Camp’s violence. Tak confronts what was taken from him and others and reckons with a difficult truth. Vengeance feels like the only remaining form of balance.

Vengeance! at Stone Creek is a powerful work of historical fiction that explores the lasting psychological and moral consequences of wartime incarceration. Through Tak’s journey, the novel examines loyalty under pressure, the burden placed on survivors to remain silent, and the generational cost of unresolved trauma. My story illuminates a rarely told chapter of American history, where citizenship failed to protect and the rule of law bent under fear and prejudice.

At its heart, this is a book about memory, who controls it, who benefits from forgetting, and what happens when those harmed refuse to let the truth disappear. Vengeance! at Stone Creek asks hard questions about accountability and justice, and about what remains when a nation chooses expedience. It is a sobering, deeply human novel about the price of silence and the long shadow cast by injustice.

This novel is for readers who loved Snow Falling on Cedars, No-No Boy, or There There, but it stands firmly on its own. It’s spare, deliberate, and quietly furious. The kind of book that sparks hand-selling conversations. The kind readers come back to talk about.

Vengeance! at Stone Creek drops February 19th. Buy a signed copy.

Vengeance! at Stone Creek: A Novel of Injustice

Some novels entertain. Some educate. A rare few refuse to let the reader off the hook.

Vengeance! at Stone Creek is one of those books.

Set in the long shadow of World War II–era Japanese incarceration, the novel explores what happens after injustice has been legalized and filed away.

Rather than retelling history, it integrates unanswered questions and the uncomfortable truth, deferring accountability indefinitely.

Alan O’Hashi writes with restraint and precision. The tension comes from moral pressure and the question history prefers not to ask: What is owed when the harm was sanctioned by law?

When a soldier fires his rifle from a guard tower inside Camp Arroyo, a Japanese American incarceration camp near Stone Creek, Colorado, the sound echoes far beyond the barbed wire. 

What happens next is buried under military procedure, fear, and silence. Official reports flatten the truth. Witnesses are discouraged from speaking. Inside the Camp, grief is expected to be swallowed quietly.

Tak Fujiyama is a child when the shots are fired, but the moment marks him for life. Incarcerated alongside his family without trial, Tak learns early that innocence offers no protection and that the law does not always serve justice.

As the War grinds forward, Camp Arroyo becomes its own harsh world of dust storms, guard towers, loyalty questionnaires, and the daily humiliation of being labeled an enemy by the country of his birth. The violence at Stone Creek is never properly addressed, and Tak is left to grow up carrying an unanswered wound.

After the War ends, America moves on quickly.

The WRA dismantled the camps, archived files, and released families with bus tickets. Tak learns that forgetting is the price of belonging. He builds a life beyond the Camp, but memory proves stubborn. The injustice refuses to fade, shaping his relationships, his sense of self, and his understanding of right and wrong.

Years later, unanswered questions draw Tak back to Stone Creek. His past resurfaces through testimony, suppressed records, and the memories of those who survived the Camp’s violence. Tak confronts what was taken from him and others and reckons with a difficult truth. Vengeance feels like the only remaining form of balance.

Vengeance! at Stone Creek is a powerful work of historical fiction that explores the lasting psychological and moral consequences of wartime incarceration. Through Tak’s journey, the novel examines loyalty under pressure, the burden placed on survivors to remain silent, and the generational cost of unresolved trauma. My story illuminates a rarely told chapter of American history, where citizenship failed to protect and the rule of law bent under fear and prejudice.

At its heart, this is a book about memory, who controls it, who benefits from forgetting, and what happens when those harmed refuse to let the truth disappear. Vengeance! at Stone Creek asks hard questions about accountability and justice, and about what remains when a nation chooses expedience. It is a sobering, deeply human novel about the price of silence and the long shadow cast by injustice.

This novel is for readers who loved Snow Falling on Cedars, No-No Boy, or There There, but it stands firmly on its own. It’s spare, deliberate, and quietly furious. The kind of book that sparks hand-selling conversations. The kind readers come back to talk about.

Why indie bookstores should carry it:

Because this is exactly the kind of book your customers expect from you. The stories they won’t discover through algorithms or celebrity lists. This story rewards thoughtful readers by inviting dialogue.

Vengeance! at Stone Creek is available this February. Recommend it. Put it in the hands of readers who want comfort and the truth. Order from Ingram iPage, 979-8-9894213-1-2, Retail Price $19.95 USD.

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Vanity Publisher Red Flags You Must Know

By Jennifer Braddock – Editor

You finished your manuscript, and now you’re dreaming of holding your book in your hands. You are just starting to explore publishing. Suddenly, a “publisher” offers you a deal. It sounds too good to be true.

Spoiler alert: it probably is.

The Vanity Press Trap:
Vanity presses prey on your vanity, excitement, and lack of experience. They promise to publish your book for a fee. Traditional publishers pay you and invest in your book’s success. In contrast, vanity presses make their money from you, not for you.

The Typical Vanity Scheme:

  • They flatter your work: “Your book is exactly what we’re looking for!” even if they haven’t read it.
  • They ask for upfront money: Watch out for editing, design, marketing, and distribution discount packages.
  • They overcharge: Don’t fall for their one-stop shop approach for services you could get cheaper elsewhere (e.g., $4,500 for a cover design you could get for $450).
  • They upsell relentlessly: Pay-as-you-go pricing promises things like “Hollywood film options,” “bestseller campaigns,” or “celebrity endorsements.”
  • They retain your rights: Number one criterion for any publishing contract? Retain your book rights. Be sure any rights you cede revert back to you after the contract expires.

Watch for Red Flags:

  • Vague promises or guaranteed success
  • High-pressure sales tactics
  • Unclear or hidden fees
  • They’re listed on Writer Beware, ALLi’s Watchdog Desk, or Predators & Editors

What to Do Instead:

  • Research publishers and agents: Use reputable databases like QueryTracker or Manuscript Wish List.
  • Join writing communities: Get real feedback from other authors who’ve been phished by unscrupulous vanity presses.
  • Consider hybrid publishing carefully: Some are legitimate, but vet them as you would a contractor or a surgeon.
  • Self-publish on your own terms: You keep creative control, and with platforms like IngramSpark or Amazon KDP, you don’t have to go broke.
  • Read contracts: Be careful and pay attention to the details. Hire someone who knows about contracts. Best Chance Media offers some legal tips to get you started with the basics.

Closing Thought and Call to Action:

Thinking of publishing? Do you have a contract or offer you want to vet? Start a conversation with Best Chance Bot. Let’s make sure your dream book doesn’t turn into a costly lesson.

Do you have questions or comments? Ask Besty Bot about the writing craft and how to publish your book with Best Chance Media!

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💸 New writers: If a “publisher” wants you to pay them, it’s not a deal, it’s a SCAM.
Don’t let flattery cost you thousands. Learn how to spot vanity press red flags and protect your work. #WritingCommunity #AmWriting #IndieAuthors #WritersBeware #SelfPublishing #VanityPress #WriterTips #PublishingScams #AuthorLife #ScamAlert #KnowYourWorth 👇
https://bestchancemedia.org/2025/01/23/avoiding-the-vanity-trap-how-new-writers-can-steer-clear-of-publishing-scams/

How to Safeguard Your Manuscript from Theft

By Jennifer Braddock – Editor

Every new writer has that one fear: What if someone steals my story? You’ve poured your soul into your manuscript.

The idea of someone swiping it and cashing in is the stuff of literary nightmares.

Take a breath. The good news? You have more protections than you think, and they’re easier to access than you realize.

Ways Writers Can Protect Their Work:

  • Copyright Automatically Applies: The moment you put your story into a fixed form, like typing it in a document, saved in the cloud, or printed out, it’s automatically protected by copyright law. You own it, even if you haven’t registered it.
  • Register with the U.S. Copyright Office: While copyright is automatic, registration adds teeth. It gives you the right to sue for statutory damages and attorney’s fees if someone actually does steal your work. It’s cheap insurance, about $45 to $65 to register online at copyright.gov.
  • Keep Good Records
    Save dated drafts, emails to critique partners, and notes to yourself. Metadata and timestamps can be useful evidence of originality and creation dates.
  • Use Trusted Sharing Platforms
    If you’re sharing with beta readers or critique groups, choose platforms with built-in version tracking. Google Docs or Dropbox are good options. If you’re really concerned, ask your readers to sign a simple non-disclosure agreement (NDA). This isn’t common in most writing circles.

Myths to Avoid:

  • Poor Person’s Copyright: Mailing your manuscript to yourself is outdated and largely useless in court.
  • Someone Will Steal It Just Because You Shared It: In reality, theft of unpublished stories is incredibly rare. It’s good to have confidence that you have a great story. Most professionals have enough ideas and are too busy creating their own work to bother with stealing yours.
  • Your story deserves to be heard and not hoarded: Equip yourself with the facts, take a few simple steps, and then speak up boldly. After all, the bigger risk isn’t theft, it’s never letting anyone read your work at all out of fear.

Your Call to Action:

Ready to protect your writing and publish with confidence? Share this post with your writing group and check out our guide to registering your first copyright step-by-step.

Do you have questions or comments? Ask Besty Bot about the writing craft and how to publish your book with Best Chance Media!

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💡Worried about your story getting stolen? Learn how to protect your work, what counts as first publication, and why fear shouldn’t stop you from sharing. #WritingTips #Copyright #AmWriting #IndieAuthors #WritersCommunity https://bestchancemedia.org/2025/01/09/how-to-safeguard-your-manuscript-from-theft/

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Why Picking a Genre Matters More Than You Think

By Jennifer Braddock – Editor

When I first started reading about query letters, one piece of advice kept popping up: agents and publishers want to know your genre.

At first, I resisted. “My book doesn’t fit into a neat little box,” I thought. “It’s unique!” But here’s the truth: uniqueness and marketability aren’t the same thing.

I’m looking for ‘funky, magical romance’!

Think of it this way. Walk into a bookstore. What do you see? Shelves with clear labels: Mystery, Romance, Science Fiction, Memoir. If your book doesn’t fit neatly under one of those signs, where would a bookseller put it? If readers can’t find your book, or don’t know what to expect when they pick it up, they likely wont buy it.

This isn’t about stifling creativity. It’s about speaking the same language as the people who will help you get your book into readers’ hands. Agents, publishers, and booksellers all use genres as shorthand for understanding your audience.

  • Agents want to know your genre so they can decide if your book fits the kinds of projects they represent. An agent who specializes in romance won’t take on your hard sci-fi novel, even if it’s brilliant.
  • Publishers need genres because they plan book launches around clear categories. If they don’t know whether your book is a historical novel or a thriller, they can’t figure out where to market it, or which editor will champion it.
  • Readers use genre as a promise. When they pick up a mystery, they expect a crime to solve. When they buy a romance, they expect a love story. Delivering on those expectations builds trust and keeps them coming back.

Here’s a simplified way to think about it:

  1. Start broad. Is your book fiction or nonfiction?
  2. Pick a lane. If it’s fiction, is it a mystery, romance, fantasy, historical, or literary novel? If it’s nonfiction, is it memoir, history, self-help, or true crime?
  3. Drill down. Subgenres help narrow your audience. Is your fantasy epic or urban? Is your romance historical or contemporary? Is your memoir a travel memoir or a grief memoir?

Here’s the most important part: be strategic. Query agents and publishers who actually represent or publish your genre. If you have a unique hybrid subgenre, position it smartly in your query letter or pitch.

For example, you might describe your book as “a mystery with speculative elements” rather than forcing an agent to wrestle with a brand-new label. If you spend too much time explaining why your work is part this and part that, you risk sounding uncertain—and uncertainty is the fastest way to lose interest.

Another tip: think about genre before you start writing. Rather than pouring your heart into a draft and then pulling your hair out trying to shoehorn it into a category later, give yourself a boundary from the beginning. Boundaries aren’t restrictions; they’re frameworks. Knowing your story is a thriller, a romance, or a memoir helps guide your choices as you write and keeps you from drifting so far that your story doesn’t fit anywhere.

Once you know your category, you can find comp titles—books that are similar to yours in tone, audience, or subject. Comp titles aren’t about proving your book is unoriginal; they show agents, publishers, and readers where your book fits in the marketplace and why it belongs on the shelf.

So, yes, your book might straddle genres, but for the sake of selling it, you need to pick one primary genre and maybe a subgenre. Think of it as giving your book a home. After all, if you don’t know where to shelve it, how will anyone else?

Call to Action: The next time you sit down to write—or revise—ask yourself: What shelf would my book sit on in a bookstore? Start there, and you’ll save yourself countless headaches when it’s time to query, pitch, and ultimately connect with readers who are already waiting for a story just like yours.

Unlock Your Writing Potential with Best Chance Media

By Jennifer Braddock – Editor

Best Chance Media is an imprint that seeks writers who have been rejected and not been traditionally published. If you fall through the cracks, submit anyway. We’re flexible. We only accept submissions for full-length works: at least 40,000 words: fiction, nonfiction, and memoir.

If there’s a historical element, that’s a plus.

You write romance stories or young adult fiction, and then set them in a historical context. If you’re writing a memoir, think about historical events that happened during the experience that changed your life. Fantasy and science fiction can be set in historical contexts of the earthly world.

  • Fiction: While any fiction will be checked out, we’re partial to historical fiction. The story is set in the past. It may incorporate real historical events, people, or settings. Historical stories feature fictionalized characters, dialogue, and plot details. Your story should create an authentic sense of a particular time while telling a made-up “What If?” story that fits within that historical context.
  • Nonfiction: The same applies to nonfiction. A historical story presents accounts of unique past events, people, and places, based on factual evidence and thorough research. We seek stories that describe historical events. We also explore how areas like history, philosophy, literature, art, and culture have shaped human society.
  • Memoir: Memoirs are historical by definition. They intertwine with history during significant events or periods. These include the writer’s personal story unfolding midst war, migration, or civil rights movements. Such historical events shaped the author’s journey. The memoir doesn’t just list historical facts. It brings history to life through the author’s eyes. It blends personal feelings with the realities of the time.

– The Fine Print:

  • Best Chance does not accept manuscripts that depict violence, like rape, incest, harm to a child, or dismemberment. Manuscripts that advocate criminal activity are also not accepted.
  • Best Chance only accepts manuscripts from authors who are at least 18 years old and residents of the United States.
  • Best Chance only accepts manuscripts written in English. No partial manuscripts or idea pitches will be accepted.
  • Best Chance does not accept manuscripts for foreign rights expansion into the U.S. market.
  • Best Chance does not accept earlier released books (either self-published or released by a traditional publisher).
  • Best Chance does not accept short stories, collections of stories, or poetry.
  • Best Chance will remove manuscripts that do not meet these guidelines.
  • Best Chance will remove any query directly emailed.

If you meet all the requirements, fill out the:

SUBMISSION FORM

We will let you know our decision. It may take Best Chance up to a month to accept or refuse your submission. If you have questions, send an email to bouldercommunitymedia@gmail.com

Do you have questions or comments? Ask Besty Bot about the writing craft and how to publish your book with Best Chance Media!

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Are you frustrated with all your rejection letters? Have you rewritten your story 50 times and you can’t get the interest of any agents or publishers? Best Chance Media are looking for writers like you. We’re a traditional press and won’t ask you for any upfront money, or charge you for editing. Best Chance is a writers’ cooperative that shares and collaborates for the betterment of all! https://bestchancemedia.org/2025/11/06/best_chance_submissions/

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Embrace Authenticity in Writing: The Power of True Stories


By Jennifer Braddock – Editor

Let’s face it. If you’re a writer, and your most “authentic” story involves flipping an egg, you should consider exploring more complex topics.

It might be time to dig up the messy stuff. Are you just staring at a blank screen or a notebook page?

You know, like that one time you were caught shoplifting and the cop made you own up to your dad. Remember when you almost got cast as “Man in Crowd #256? You didn’t answer the casting director’s call. You thought it was a spam number.

Don’t worry.

“All you have to do is write one true sentence,” Ernest Hemingway said.

Authenticity matters more than polish

Polish can make your writing look good, but authenticity makes it mean something. Readers can sense when you’re putting up a front or trying too hard to impress with overly interesting descriptions. They’ll nod politely and move on to the next book.

When you tell the truth, your voice might crack. Your story might stumble. Your guard might drop. That’s when people get hooked. Perfect writing might win awards, but authentic writing wins hearts. When you combine the two, that’s what keeps readers coming back, not to admire your prose, but to feel something real.

Readers crave connection, not perfection

Perfection is intimidating. Connection is comforting. Do you identify more with the person who never makes a mistake, or do you relate to the one who dribbled a Coke down their shirt before a big presentation?

Readers want to see themselves in your story: their fears, mess-ups, and the small triumphs. If you try to make yourself the flawless hero, you shut people out. When you share your struggle, you invite them to be a part of your story. In a world filled with filtered selfies and curated feeds, your raw honesty stands out. It is the most refreshing thing they will have read all day.

Your most embarrassing stories are your most relatable

That time you accidentally called your teacher “Mom”? or said “I love you” to a customer service rep? Those moments you wish you could delete are storytelling gold. Why? Because we’ve all been there: humiliated, awkward, and unsure. Those memories feel awful in the moment. Yet, they’re the ones that make people laugh, cry, and say, “Oh my gosh, me too.”

If you’re brave enough to tell the story, someone out there is waiting to read it. They want to feel a little less alone.

Every failure, regret, and awkward moment is a secret gold mine

Behind every “I blew it” is a potential breakthrough in your writing and in your life. Failure teaches us what success never will.

Regret reveals our values. Awkwardness strips away ego. These moments are obstacles and building blocks. Don’t run from them. Use them. Write turning points into chapters. Write honestly about what went wrong, and with a sense of humor transforms shame into strength. It’s not about glorifying the stmble. It’s about showing how you got back up and on your feet.

Fiction is great, but truth punches harder

There’s power in fiction, but even the most fantastic stories hit hardest when they echo something true. We weep over made-up characters because their pain feels real.

When your writing comes straight from experience, it lands with more impact. Your lived truth doesn’t need embellishment. Tell it with bravery.

Your voice is more compelling than anything you dream up. It is shaped by the sweet, the bitter, the bizarre, and everything else you’ve experienced.

Dig deep for your truth

Your life is a ragtag scrapbook of shining and cringe-inducing moments, not a flawless resumé. Own them. Write them. Your one true sentence might start with a terrible haircut, a missed opportunity, or a mistake you thought you’d buried.

Dig deep, be brave, and stop trying to airbrush away your bad experiences. Your truth is your voice. It’s what readers remember long after the last page.

At the end of the day, writing isn’t about sounding smart or looking impressive. It’s about telling the truth, even when your voice shakes.

Hemingway wasn’t asking us to be profound. He wants us to be honest. One true sentence. Your truth might come wrapped in awkwardness, heartbreak, or absurdity. Your true sentence is what makes your writing believable and powerful. Stop waiting for the perfect idea or the polished version of yourself. Dig deep. Say the things you’ve been scared to say. Start with one true sentence. The rest will follow.

Do you have questions or comments? Ask Besty Bot about the writing craft and how to publish your book with Best Chance Media!

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✍️ Hemingway said to write one true sentence. That’s it. Not the perfect sentence. Not the impressive one. Just the real one. Your most embarrassing, awkward, even painful stories? They’re your most powerful. Don’t polish the truth out of them. Start with honesty — and let the story unfold from there. 💬 #WriteYourTruth #OneTrueSentence #AuthenticWriting #WritersLife #INFPwriter #RealStoriesMatter #MemoirMoments #WriteToConnect #MessyIsMeaningful #TruthBeTold https://bestchancemedia.org/2025/09/04/embrace-authenticity-in-writing-the-power-of-true-stories/

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Signs of a Legit Hybrid Publisher: Don’t Get Scammed

By Jennifer Braddock – Editor

For new authors navigating the wilds of the publishing world, it’s easy to feel overwhelmed. Traditional publishing? Self-publishing? Vanity press? Hybrid publishing?

What do all these mean, and more importantly, who can you trust?

In this post, we will:

  • Break down what a hybrid publisher is.
  • Explain how it differs from a vanity press.
  • Discuss how authors are compensated.
  • Show how to tell if a hybrid press is legit or just lipstick on a scam.

First, What Is a Hybrid Publisher?

A hybrid publisher blends the business models of traditional and self-publishing:

  • You pay part of the cost upfront: These are offered on a menu for editing, design, and production, marketing, and distribution. Be sure your contract is specific and that you must approve any changes.
  • The publisher handles publishing logistics: Once you decide on the services you want, pay attention to the contract execution.
  • You retain more control and get higher royalties: Since you’re cost-sharing, your take is higher than with a traditional publisher.
  • Reputable hybrids are selective: You still have to pitch, they pick, and don’t publish everything that comes their way.

How Do Authors Get Paid?

Look at hybrid publishing as an investment. Even though you’re an investor in your project, legit hybrid publishers still compensate you after publication.

  • Royalties: Typically range from 50% to 70% of net sales revenue, much higher than traditional deals.
  • Sales Reporting: You should receive regular, transparent royalty reports and payments.
  • Rights: You often retain more rights than in a traditional deal, and many hybrids offer non-exclusive contracts.

In a best-case scenario, you’re paying for a professional service to produce your book, and then you’re earning back your investment, and ideally more, through sales.

Do Hybrid Presses Handle Sales and Distribution?

Some do, and this is a key differentiator between quality hybrids and glorified vanity presses.

Legit hybrid publishers may offer:

  • Print and digital distribution: Publishers of all types use IngramSpark, Amazon, Barnes & Noble, and indie bookstore catalogs.
  • Library access: They use platforms like OverDrive, Baker & Taylor, or Hoopla
  • Marketing consultation or campaigns: All publishers assist with promoting your content to retailers and the general public, although these vary widely. Best Chance Media tailors strategies for its authors.

However, not all hybrids offer robust distribution, so this is an important question to ask when you’re vetting one.

Hybrid vs. Vanity Press

FeatureHybrid PressVanity Press
Author PaysYes (investment model)Yes (often overpriced packages)
SelectivityYesNo
Royalties50–70% of net revenueOften minimal, if any
RightsOften retained or sharedOften taken
DistributionOffered by manyRare, usually limited to Amazon
Editorial ProcessRequiredOptional or absent

Red Flags: When a Hybrid Press Is Really Just a Scam

Some shady outfits brand themselves as hybrid publishers to sound legitimate, when really, they’re just vanity presses in disguise.

Watch out for:

  • High upfront fees with vague deliverables
  • No editorial process or quality standards
  • No real distribution or sales strategy
  • Unclear royalty structure
  • No plan to help you succeed, only to get you to sign

Signs of a Legit Hybrid Publisher

A real hybrid publisher:

  • Is transparent about pricing, royalties, and services
  • Has a track record of successful titles
  • Evaluates manuscripts before offering a contract
  • Has a clear royalty payment schedule
  • Offers real distribution options, not just uploads to Amazon

Bottom Line

Hybrid publishing can be a great option if you’re working with a reputable press. I have three friends who have had great success with one particular hybrid press. Think of it as hiring a team to help you produce and distribute a professional book. Bo your homework: just because someone calls themselves a hybrid doesn’t mean they aren’t predatory.

Have you worked with a hybrid press or are you considering one? Let’s swap notes.

Do you have questions or comments? Ask Besty Bot about the writing craft and how to publish your book with Best Chance Media!

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Not all hybrid publishers are shady, but not all are legit either. Learn how to spot the difference and how authors really get paid. #WritingCommunity #IndieAuthors #HybridPublishing #VanityPressWarning #BookBusiness https://bestchancemedia.org/2025/08/28/what-is-a-hybrid-publisher-are-they-scammers-too/

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